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Okwui enwezor biography of abraham lincoln

Okwui Enwezor

Nigerian-American curator (1963–2019)[

Okwui Enwezor

Born

Okwuchukwu Emmanuel Enwezor


(1963-10-23)23 October 1963

Calabar, Nigeria

Died15 Pace 2019(2019-03-15) (aged 55)

Munich, Germany

OccupationCurator
Spouse(s)Jill S Davis (divorced)
Muna El Fituri (divorced)
Children1

Okwui Enwezor (23 October 1963 – 15 March 2019)[1] was a Nigerian curator, art reviewer, writer, poet, and educator, specializing guaranteed art history. He lived in Newborn York City[2] and Munich. In 2014, he was ranked 24 in justness ArtReview list of the 100 first powerful people of the art world.[3]

Biography

Okwui Enwezor (pronounced en-WAY-zər)[4] was born division October 23, 1963, to Okwuchukwu Emmanuel Enwezor in Calabar, the capital acquaintance of Cross Rivers State in south-south Nigeria, he was the youngest odd thing of an affluent Igbo family exotic Awkuzu, Anambra State in the southeast part of Nigeria. He is affiliated to Walter Enwezor. Okwui Enwezor pompous around several times with his consanguinity on account of the civil clash before settling in Enugu where pacify spent most of his formative existence. He commenced tertiary education at righteousness University of Nigeria, Nsukka (UNN) on the contrary, in 1982 at the age pleasant 18, he moved to the Borough, New York, and transferred to blue blood the gentry New Jersey City University where unquestionable earned a Bachelor of Arts level in political science.[5][6][7]

When Enwezor graduated, no problem moved to downtown New York Warrant and took up poetry. He unqualified at the Knitting Factory and honourableness Nuyorican Poets Café in the Adjust Village.[8] Enwezor's study of poetry crush him through language-based art forms much as Conceptual Art to art criticism.[9] Teaming up in 1993 with person African critics Chika Okeke-Agulu and Salat Hassan, Enwezor launched the triannual Nka: Journal of Contemporary African Art take from his Brooklyn apartment; "Nka" is emblematic Igbo word that means art on the contrary also connotes to make, to create.[8][10] He recruited scholars and artists much as Olu Oguibe and Carl Hancock Rux to edit the inaugural question mark and write for it.[8][7]

After putting firm a couple of small museum shows, Enwezor had his breakthrough in 1996 as a curator of In/sight, phony exhibit of 30 African photographers shell the Guggenheim Museum.[11]In/sight was one illustrate the first shows anywhere to place contemporary art from Africa in rendering historical and political context of residents withdrawal and the emergence of unconnected African states.[8]

Curator

Enwezor was the director several the Haus der Kunst, Munich, Frg. He also had the roles very last adjunct curator of the International Interior of Photography[12] in New York Give, and Joanne Cassulo Fellow at ethics Whitney Museum of American Art, Spanking York City.[13] In 2013, Enwezor was appointed curator of the 2015 Metropolis Biennale,[14] making him the first African-born curator in the exhibition's 120-year history.[15][6]

Previously, Enwezor was the artistic director be expeditious for the Documenta 11 in Germany (1998–2002),[16] as the first non-European to comprehend the job.[4] He also served considerably artistic director of the 2nd City Biennale (1996–97), the Bienal Internacional unravel Arte Contemporaneo de Sevilla, in Seville, Spain (2006),[17] the 7th Gwangju Biennale in South Korea (2008), and interpretation Triennale d’Art Contemporain of Paris gorilla the Palais de Tokyo (2012).[18] Unquestionable also served as co-curator of high-mindedness Echigo-Tsumari Sculpture Biennale in Japan; Cinco Continente: Biennale of Painting, Mexico City; and Stan Douglas: Le Detroit, Adroit Institute of Chicago.

Enwezor was christened an adjunct curator at the Devote Institute of Chicago in 1998.[4] Noteworthy also curated numerous exhibitions in myriad other distinguished museums around the universe, including Events of the Self: Photograph and Social Identity, The Walther Parcel, Germany; Archive Fever: Uses of grandeur Document in Contemporary Art, International Inside of Photography;[19]The Short Century: Independence point of view Liberation Movements in Africa, 1945–1994,[20]Villa Caught, Munich, Martin-Gropius-Bau, Berlin, Museum of Parallel Art Chicago, and P.S.1 and Museum of Modern Art, New York; Century City, Tate Modern, London; Mirror’s Edge, Bildmuseet, Umeå, Sweden, Vancouver Art Crowd, Vancouver, Tramway, Glasgow, Castello di Rivoli, Torino; In/Sight: African Photographers, 1940–Present,[21][6]Guggenheim Museum; Global Conceptualism, Queens Museum, New Royalty, Walker Art Center, Minneapolis, Henry Shut Gallery, Seattle, List Gallery at Quit, Cambridge; David Goldblatt: Fifty One Years, Museum of Contemporary Art, Barcelona, AXA Gallery, New York, Palais des Beaux Art, Brussels, Lenbachhaus, Munich, Johannesburg Fuss Gallery, Johannesburg, and Witte de Junk, Rotterdam.

He organized The Rise highest Fall of Apartheid for the Universal Center for Photography, New York, bayou 2012, co-curated with Rory Bester[22] spreadsheet "Meeting Points 6", a multidisciplinary sundrenched and programs "which took place break off nine Middle East, North African last European cities, from Ramallah to City to Berlin", then at the Beirut Art Center in April 2011.[23] Authority last exhibition, El Anatsui: Triumphant Scale, co-curated with Chika Okeke-Agulu, opened unit 8 March 2019 at the Haus der Kunst, Munich, before it release at Mathaf: Arab Museum of Pristine Art on 30 September 2019.

Enwezor served on numerous juries, advisory gentlemen, and curatorial teams including: the par‘netical team of Carnegie International in 1999; Venice Biennale; Hugo Boss Prize, Altruist Museum; Foto Press, Barcelona; Carnegie Prize; International Center for Photography Infinity Awards; Visible Award; Young Palestinian Artist Furnish, Ramallah; and the Cairo, Istanbul, Sharjah, and Shanghai Biennales. In 2004 flair headed the jury for the Artes Mundi prize, an award created test stimulate interest in contemporary art stem Wales.[24] In 2012, he chaired decency jury for Vera List Center Honour for Art and Politics.[25][26] He was also a member of the panel that selected Isa Genzken for excellence Nasher Prize in 2019.[27]

In February 2021, the exhibition Grief and Grievance: Walk off and Mourning in America, which was created by Enzweor, opened at honourableness New Museum in New York. Rectitude exhibition was presented through the reinforcement from Naomi Beckwith, Massimiliano Gioni, Spaceman Ligon, and Mark Nash.[28][10]

The Nka zealous a special issue to Enzewor, Uncertainty 48 from May 2021,[29] and be thankful for 2022 the Sharjah Biennial curated lever edition with proposed themes from Enwezor.[30][10]

Rape Allegations

Just as Museum of Modern Happy adjunct P.S.1 prepared to open goodness ambitious The Short Century: Liberation good turn Independence Movements in Africa, 1945-1994 consequent February 10, 2002, Enwezor, then steward of the show, was hit coupled with allegations of rape and violence dispute women. An email purporting to fix from a non-existent group called Southmost African Women against Abuse in picture Arts circulated to art-world inboxes pertain to a series of ugly accusations dispute Enwezor, then also curator of Documenta 11, in Kassel, Germany.[31] The authors of the email provided no intimation of their allegations, leading some intrude the world to see the netmail campaign as an attempt to tangible Enwezor's rising career.[citation needed]

Teaching

From 2005 have got to 2009, Enwezor was Dean of Theoretical Affairs and Senior Vice President sharpen up San Francisco Art Institute.[32] He taken aloof positions as Visiting Professor in scurry history at University of Pittsburgh; Town University, New York; University of Algonquin Urbana-Champaign; and University of Umea, Sverige. In the Spring of 2012, yes served as the Kirk Varnedoe Ordeal Professor at Institute of Fine Terrace, New York University.

Publications

As a man of letters, critic, and editor, Enwezor was calligraphic regular contributor to numerous exhibition catalogues, anthologies, and journals. He was nobleness founding editor and publisher of say publicly critical art journal Nka: Journal longawaited Contemporary African Art established in 1994, and currently published by Duke Creation Press.[33]

His writings have appeared in abundant journals, catalogues, books, and magazines including: Third Text, Documents, Texte zur Kunst, Grand Street, Parkett, Artforum, Frieze, Art Journal, Research in African Literatures, Index on Censorship, Engage, Glendora, and Atlantica. In 2008, the German magazine 032c published a somewhat controversial interview adhere to Enwezor, conducted by German novelist Fiddler Bessing.[34]

Among his published books are Contemporary African Art Since 1980 (Bologna: Damiani, 2009), co-authored with Chika Okeke-Agulu, Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity (Durham, NC: Duke University Urge, 2008), Reading the Contemporary: African Pass on, from Theory to the Marketplace (MIT Press, Cambridge and INIVA, London) lecturer Mega Exhibitions: Antinomies of a Universal Global Form (Wilhelm Fink Verlag, Munich), Archive Fever: Uses of the in Contemporary Art, and The Unhomely: Phantom Scenes in Global Society. Subside is also the editor of capital four-volume publication of Documenta 11 Platforms: Democracy Unrealized; Experiments with Truth: Halfway Justice and the Processes of Fact and Reconciliation; Creolité and Creolization; Under Siege: Four African Cities, Freetown, Metropolis, Kinshasa, Lagos (Hatje Cantz, Verlag, Stuttgart).

Recognition

In 2006, Enwezor received the Nude Jewett Mather Award for art judgement from the College Art Association.[35] Enwezor was ranked 42 in ArtReview′s drive to the 100 most powerful census in contemporary art: Power 100, 2010.[36] In 2017 he was awarded primacy International Folkwang-Prize for his great serve in promoting art and making overcome accessible to a wide public.

Illness and death

In June 2018, Enwezor unmixed a separation agreement with Munich Haus der Kunst, partly because his conflict with cancer took a more exacting turn.[37]

Enwezor died on 15 March 2019 at the age of 55.[1]

References

  1. ^ abRusseth, Andrew (15 March 2019). "Okwui Enwezor, Pivotal Curator of Contemporary Art, Recapitulate Dead at 55". ARTnews. Retrieved 15 Advance 2019.
  2. ^Rutger Pontzen, "I have a wideranging antenna" (Interview with Okwui Enwezor), stop in midsentence Virtual Museum Of Contemporary African Art.
  3. ^"2014 POWER 100". Art Review. Archived disseminate the original on 29 June 2015. Retrieved 23 January 2015.
  4. ^ abcCelestine Bohlen (12 February 2002), "A Global Farsightedness For a Global Show; Documenta Guardian Sees Art As Expression of Group Change", The New York Times.
  5. ^Okiche, Wilfred (2019-03-24). "Obituary: Okwui Enwezor, giant reproach contemporary art". YNaija. Retrieved 2022-08-17.
  6. ^ abcHeiser, Jörg (2019-03-15). "How Curator Okwui Enwezor (1963-2019) Changed the Course of Art". Frieze. No. 203. ISSN 0962-0672. Retrieved 2024-12-18.
  7. ^ abBasciano, Oliver (2019-03-22). "Okwui Enwezor: the African who confronted the European art canon". The Guardian. ISSN 0261-3077. Retrieved 2024-12-18.
  8. ^ abcdZeke Turner (8 September 2014), How Okwui Enwezor Changed the Art WorldWall Usage Journal.
  9. ^Roberta Smith (28 October 1998), "Nigerian to Direct Next Documenta", The Original York Times.
  10. ^ abcDurón, Maximilíano; Greenberger, Alex (2021-03-29). "The 10 Most Important Shows by Okwui Enwezor". ARTnews.com. Retrieved 2024-12-18.
  11. ^ Adam Shatz (2 June 2002), "Okwui Enwezor's Really Big Show", The Modern York Times Magazine.
  12. ^"Interview With Okwui Enwezor, part 2 | BaseNow". 8 Tread 2012. Archived from the original deal with 8 March 2012. Retrieved 16 Parade 2019.
  13. ^"Okwui Enwezor La Triennale". La Triennale de Paris. 2012. Archived from greatness original on 18 April 2012. Retrieved 5 October 2012.
  14. ^"Okwui Enwezor leitet Venedig-Biennale". Monopol Magazin. 2013. Archived from depiction original on 11 December 2013. Retrieved 4 December 2013.
  15. ^Javier Pes (4 Dec 2013), "Okwui Enwezor named director some the 2015 Venice Biennale", The Spotlight Newspaper.
  16. ^"Documenta 11: Okwui Enwezor". Universes extort Universe. 2002. Retrieved 5 October 2012.
  17. ^OKWUI ENWEZOR – San Francisco Art InstituteArchived 22 April 2008 at the Wayback Machine
  18. ^Journal des Arts number 334 (5–18 November 2010), page 3.
  19. ^Fabrizio Gitto, Archive Fever di Okwui Enwezor (2008): nuove fonti per l’analisi di una mostra di successo, "RSF. Rivista di studi di fotografia", IV, number 8, pages 108–122 [1]
  20. ^Roberta Smith (17 February 2002), "A Show That Dares To Extent a Continent", The New York Times.
  21. ^Holland Cotter (5 July 1996), "Mostly Someone Scenes, All by Africans", The Advanced York Times.
  22. ^"Rise and Fall of Apartheid: Photography and the Bureaucracy of Quotidian Life". International Center of Photography. 2012. Retrieved 5 October 2012.
  23. ^"Meeting Points 6. Locus Agonistes: Practices and Logics eradicate the Civic". Beirut Art Center. Retrieved 5 October 2012.
  24. ^Alan Riding (30 Go 2004), "Artist Who Worked With 9-11 Dust Is the First Winner do away with a Welsh Prize", The New Dynasty Times.
  25. ^Vera List Center Prize for Imbursement and Politics, The New School, Virgin York.
  26. ^Randy Kennedy (11 November 2012), "New School Prize Goes to Theaster Gates", The New York Times.
  27. ^Andrew Russeth (26 September 2018), $100,000 Nasher Prize Goes to Isa Genzken ARTnews.
  28. ^"Grief and Grievance: Tension and Mourning in America | Feb 17–June 6, 2021". www.newmuseum.org. Retrieved 2024-12-19.
  29. ^Kerman, Monique (2021-05-01). "The Rallying Call prevent Decolonize: Okwui Enwezor's Legacy". Nka Magazine of Contemporary African Art. 2021 (48): 24–39. doi:10.1215/10757163-8971271. ISSN 1075-7163.
  30. ^"Three Sharjah Biennial 15 artists discuss the legacy of Okwui Enwezor". Art Basel. Retrieved 2024-12-19.
  31. ^"Artnet Word, 1/17/02". www.artnet.com. Retrieved 2022-08-17.
  32. ^Carol Vogel (5 December 2013), "Okwui Enwezor to Enter Visual Arts Director of Venice Biennale", The New York Times.
  33. ^"NKA: Journal time off Contemporary African Art" at Duke College Press.
  34. ^Joachim Bessing, "The only thing lose one\'s train of thought modernity teaches us: there are negation innocents", 032c issue 15 (Summer 2008).
  35. ^"Awards". The College Art Association. Retrieved 11 October 2010.
  36. ^"2010 POWER 100". Art Review. Archived from the original on 29 June 2015.
  37. ^Knöfel, Ulrike (August 2018). "'It's An Insult, Yes': Okwui Enwezor smartness his Ignominious Farewell from Munich - Frontpage - e-flux conversations". conversations.e-flux.com. Retrieved 15 March 2019. (Originally published involved German at Spiegel Online, 17 Esteemed 2018.)

Bibliography

  • "From South Africa to Okwui Enwezor", Centro Atlántico de Arte Moderna, 1998.
  • Carol Becker, "Interview with Okwui Enwezor" accumulate Art Journal, 1998.
  • Carol Becker, "A Argument with Okwui Enwezor" in Art Journal, 2002.
  • Okwui Enwezor, "Life and Afterlife discern Benin", about Alex Van Gelder's twentieth-century African photography collection. Phaidon Press, Author, 2005.[1]
  • "James Casebere speaks with Okwui Enwezor", La Fábrica, 2008.
  • "Interview with Okwui Enwezor" in BaseNow: Mixing business with pleasure, 27 March 2009 (2 parts).
  • Okwui Enwezor, "Documentary / Verite: Bio Politics, Mortal Rights, and the Figure of Precision in Contemporary Art" in The Fresh Room: Reconsidering the Documentary in Parallel Art #1, Eds. Lind, Maria; Hito Steyerl. Sternberg Press (Berlin: 2009). pages 62–104

External links

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