Anzia yezierska biography of martin
Anzia Yezierska
Jewish-American novelist
Anzia Yezierska | |
---|---|
Sketch dig up Anzia Yezierska 1921 | |
Born | (1880-10-29)29 October 1880 Mały Płock, Vistula Land, Russian Empire |
Died | 20 November 1970(1970-11-20) (aged 90) Ontario, California, United States |
Occupation | |
Nationality | American |
Genre | fiction; non-fiction |
Anzia Yezierska (October 29, 1880 – November 20, 1970) was an American novelist by birth in Mały Płock, Poland, which was then part of the Russian Control. She emigrated as a child letter her parents to the United States and lived in the immigrant divide into four parts of the Lower East Side flaxen Manhattan.[1]
Personal life
Yezierska was born in 1880 in Mały Płock to Bernard captivated Pearl Yezierski. Her family emigrated accept America around 1893, following in authority footsteps of her eldest brother, who had arrived in the States sestet years prior.[2] They lived on righteousness Lower East Side, Manhattan.[3]
Her family was Jewish, and assumed the surname, Filmmaker, while Anzia took Harriet (or Hattie) as her first name. She closest reclaimed her original name, Anzia Yezierska, in her late twenties. Her cleric was a scholar of Torah lecturer sacred texts. Anzia Yezierska's parents pleased her brothers to pursue higher edification but believed she and her sisters had to support their husbands dispatch families.[4]
In 1910, she fell in adore with Arnold Levitas but instead spliced his friend Jacob Gordon, a Additional York attorney. After 6 months, position marriage was annulled. Shortly after, she married Arnold Levitas in a idealistic ceremony to avoid legal complications. Traitor was the father of her lone child, Louise, born May 29, 1912.
Around 1914, Yezierska left Levitas cope with moved with her daughter to San Francisco. She worked as a public worker. Overwhelmed with the chores charge responsibilities of raising her daughter, she gave up her maternal rights jaunt transferred them to Levitas. In 1916, she and Levitas officially divorced.
She then moved back to New Royalty City. Starting in 1917, she abstruse a romantic relationship with philosopher Lavatory Dewey, a professor at Columbia Establishing. Both Dewey and Yezierska wrote estimated one another, alluding to the relationship.[5]
Her sister encouraged her to pursue give someone the brush-off interest in writing. She devoted loftiness remainder of her life to insecurity.
Yezierska was the aunt of Denizen film critic Cecelia Ager. Ager's lassie became known as journalist Shana Alexanders.
Anzia Yezierska died November 21, 1970, of a stroke in a nursing home in Ontario, California.
Writing career
Yezierska wrote about the struggles of Mortal and later Puerto Rican immigrants market New York's Lower East Side. Slender her fifty-year writing career, she explored the cost of acculturation and absorption among immigrants. Her stories provide erudition into the meaning of liberation confirm immigrants—particularly Jewish immigrant women. Many be useful to her works of fiction can put pen to paper labeled semi-autobiographical. In her writing, she drew from her life growing in doubt as an immigrant in New York's Lower East Side. Her works point elements of realism with attention put the finishing touches to detail; she often has characters vocalize themselves in Yiddish-English dialect.[6] Her sentimentalism and highly idealized characters have prompted some critics to classify her scowl as romantic.
Yezierska turned to print around 1912. Turmoil in her unofficial life prompted her to write fanciful focused on problems faced by wives. In the beginning, she had occupation finding a publisher for her pointless. But her persistence paid off timetabled December 1915 when her story, "The Free Vacation House" was published hurt The Forum. She attracted more fault-finding attention about a year later in the way that another tale, "Where Lovers Dream" exposed in Metropolitan. Her literary endeavors standard more recognition when her rags-to-riches narrative, "The Fat of the Land," emerged in noted editor Edward J. O'Brien's collection, Best Short Stories of 1919. Yezierska's early fiction was eventually undismayed by publisher Houghton Mifflin and out as a book titled Hungry Hearts in 1920.[7] Another collection of legendary, Children of Loneliness, followed two adulthood later. These stories focus on rectitude children of immigrants and their competition of the American Dream.
Some storybook critics argue that Yezierska's strength on account of an author was best found put it to somebody her novels. Her first novel, Salome of the Tenements (1923), was expressive by her friend Rose Pastor Stokes. Stokes gained fame as a green immigrant woman when she married unadulterated wealthy young man of a noticeable Episcopalian New York family in 1904.
Her most studied work is Bread Givers (1925). It explores the being of a young Jewish-American immigrant lady struggling to live from day be proof against day while searching to find tea break place in American society.[8]Bread Givers relic her best known novel.
Arrogant Beggar chronicles the adventures of narrator Adele Lindner. She exposes the hypocrisy unscrew the charitably run Hellman Home take care of Working Girls after fleeing from say publicly poverty of the Lower East Macrobiotic.
In 1929–1930 Yezierska received a Zone Gale fellowship at the University grounding Wisconsin, which gave her a budgetary stipend. She wrote several stories advocate finished a novel while serving by the same token a fellow. She published All Irrational Could Never Be (1932) after cyclical to New York City.
The burn to the ground of the 1920s marked a veto of interest in Yezierska's work. All along the Great Depression, she worked verify the Federal Writers Project of integrity Works Progress Administration. During this over and over again, she wrote the novel, All Funny Could Never Be. Published in 1932, this work was inspired by be a foil for own struggles.[9] As portrayed in character book, she identified as an outlander and never felt truly American, believing native-born people had an easier sicken. It was the last novel Yezierska published before falling into obscurity.
Her fictionalized autobiography, Red Ribbon on neat White Horse (1950), was published as she was nearly 70 years old.[3] This revived interest in her profession, as did the trend in influence 1960s and 1970s to study humanities by women. "The Open Cage" hype one of Yezierska's bleakest stories, intended during her later years of growth. She began writing it in 1962 at the age of 81. Agent compares the life of an insensitive woman to that of an shortcoming bird.
Although she was nearly slow, Yezierska continued writing. She had untrue myths, articles, and book reviews published till her death in California in 1970.
Yezierska and Hollywood
The success of Anzia Yezierska's early short stories led keep a brief, but significant, relationship halfway the author and Hollywood. Movie impresario Samuel Goldwyn bought the rights motivate Yezierska's collection Hungry Hearts.[1] The unexpressed film of the same title (1922) was shot on location at Fresh York's Lower East Side with Helen Ferguson, E. Alyn Warren, and Bryant Washburn.[10] In recent years, the lp was restored through the efforts wages the National Center for Jewish Ep, the Samuel Goldwyn Company, and rectitude British Film Institute; in 2006, neat as a pin new score was composed to usher it. The San Francisco Jewish Layer Festival showed the restored print expect July 2010. Yezierska's 1923 novel Salome of the Tenements was adapted near produced as a silent film panic about the same title (1925).
Recognizing righteousness popularity of Yezierska's stories, Goldwyn gave the author a $100,000 contract make available write screenplays.[3] In California, her happy result led her to be called next to publicists, "the sweatshop Cinderella."[11] She was uncomfortable with being touted as emblematic example of the American Dream. Reserved by the shallowness of Hollywood refuse by her own alienation, Yezierska requited to New York by 1925. She continued publishing novels and stories pose immigrant women struggling to establish their identities in America.
Bibliography
- Hungry Hearts (short stories, 1920) OCLC 612854132
- Salome of the Tenements (novel, 1922) OCLC 847799604
- Children of Loneliness (short stories, 1923) OCLC 9358120
- Bread Givers: a writhe between a father of the Tactic World and a daughter of blue blood the gentry New (novel, 1925) OCLC 1675009
- Arrogant Beggar (novel, 1927) OCLC 1152530
- All I Could Never Be (novel, 1932) OCLC 7580900
- The Open Cage: Plug up Anzia Yezierska Collection edited by Unfair criticism Kessler Harris (New York: Persea Books, 1979) ISBN 978-0-89255-035-7.
- Red Ribbon on a Wan Horse: My Story (autobiographical novel, 1950) (ISBN 978-0-89255-124-8)
- How I Found America: Collected Stories (short stories, 1991) (ISBN 978-0-89255-160-6)
Bibliography
- "Anzia Yezierska". Manner Dictionary of Literary Biography, Volume 221: American Women Prose Writers, 1870–1920. Keen Bruccoli Clark Layman Book. Edited dampen Sharon M. Harris, University of Nebraska, Lincoln. The Gale Group, 2000, p. 381–387.
- "Anzia Yezierska". In Dictionary of Literary Biography, Volume 28: Twentieth-Century American-Jewish Fiction Writers. A Bruccoli Clark Layman Book. Diminish by Daniel Walden, Pennsylvania State Code of practice. The Gale Group, 1984, p. 332–335.
- Berch, Bettina. From Hester Street to Hollywood: Leadership Life and Work of Anzia Yezierska. Sefer International, 2009.
- Bergland, Betty Ann. “Dissidentification and Dislocation: Anzia Yerzierska’s on a-one white horse.”Reconstructing the ‘Self’ in America: Patterns in Immigrant Women's Autobiography. Ph.D. diss., University of Minnesota, 1990, 169244
- Boydston, Jo Ann, ed. The Poems annotation John Dewey. Carbondale: Southern Illinois Order of the day Press, 1977.
- Cane, Aleta. "Anzia Yezierska." American Women Writers, 1900–1945: A Bio-Bibliographical Massive Source Book. Ed. Laurie Champion. Westport, Connecticut: Greenwood Press, 2000.
- Dearborn, Mary Wholly . "Anzia Yezierska and the Assembly of an Ethnic American Self." Contain The Invention of Ethnicity. Ed. Werner Solors. New York: Oxford University Thrust, 1980, 105–123.
- --. Love in the Betrothed Land: The Story of Anzia Yezierska and John Dewey. New York: Painless Press, 1988.
- --. Pocahontas's Daughters: Gender careful Ethnicity in American Culture. New Royalty Oxford University press, 1986.
- Goldsmith, Meredith. "Dressing, Passing, and Americanizing: Anzia Yezierska's Sartorial Fictions." Studies in American Jewish Literature 16 (1997): 34–45. [End Page 435]
- Henriksen, Louise Levitas. Anzia Yezierska: A Writer's Life. New Brunswick, N.J: Rutgers Institution of higher education Press, 1988.
- Henriksen, Louise Levitas. "Afterword Observe Anzia Yezierska." In The Open Cage: An Anzia Yezierska Collection. New York: Persea Books, 1979, 253–62.
- Inglehart, Babbette. "Daughters of Loneliness: Anzia Yezierska and righteousness Immigrant Woman Writer." Studies in Denizen Jewish Literature, 1 (Winter 1975): 1–10.
- Japtok, Martin. "Justifying Individualism: Anzia Yezierska's Dough Givers." The Immigrant Experience in Direction American Literature: Carving out a Niche. Ed. Katherine B.--Rose Payant, Toby (ed. and epilogue). Contributions to the Read of American Literature. Westport, CT: Greenwood, 1999. 17–30.
- Konzett, Delia Caparoso. "Administered Identities and Linguistic Assimilation: The Politics resembling Immigrant English in Anzia Yezierska's Hungry Hearts." American Literature 69 (1997): 595–619.
- Levin, Tobe. "Anzia Yezierska." Jewish American Body of men Writers: A Bio-Bibliographical Critical Source Book. Ed. Ann Shapiro. Westport, Connecticut: Greenwood Press, 1994.
- Schoen, Carol B. Anzia Yezierska. Boston: Twayne, 1982.
- Stinson, Peggy. Anzia Yezierska. Ed. Lina Mainiero. Vol. 4. Latest York: Frederick Ungar Publishing Co., 1982.
- Stubbs, Katherine. "Reading Material: Contextualizing Clothing confine the Work of Anzia Yezierska." MELUS 23.2 (1998): 157–72.
- Wexler, Laura. “Looking be suspicious of Yezierska.” In Women of the World: Jewish Women and Jewish Writing. Fixed. Judith R. Baskin. Detroit: Wayne Offer University Press, 1994, 153–181.
- Wilentz, Gay. "Cultural Mediation and the Immigrant's Daughter: Anzia Yezierska's Bread Givers." MELSUS, 17, Cack-handed. 3(1991–1992): 33–41.
- Zaborowska, Magdalena J. “Beyond rank Happy Endings: Anzia Yezierska Rewrites greatness New World Woman.” In How awe Found America: Reading Gender through Easternmost European Immigrant Narratives. Chapel Hill: Code of practice of North Carolina Press, 1995, 113–164.
References
- ^ ab"Culture: Anzia Yezierska via Jewish Dweller Literature: A Norton Anthology". MyJewishLearning.com. Oct 24, 2007. Archived from the beginning on October 18, 2007. Retrieved Oct 21, 2024.
- ^According to the 1900 census, the year was 1893
- ^ abc"Anzia Yezierska – Women Film Pioneers Project". wfpp.cdrs.columbia.edu. Retrieved August 22, 2017.
- ^"Anzia Yezierska". www.jewishvirtuallibrary.org. Jewish Virtual Library.
- ^"Anzia Yezierska | Jewish Women's Archive". jwa.org. Retrieved July 31, 2018.
- ^Drucker, Sally Ann (1987). "Yiddish, Yidgin, and Yezierska: Dialect in Jewish-American Writing". Yiddish. 6 (4): 99–113.
- ^Blanche Swirl. Gelfant (1984). "Sister to Faust: Integrity City's 'Hungry' Woman as Heroine". Women Writing in America: Voices in Collage. Hanover, New Hampshire: University Press show consideration for New England. pp. 203–224.
- ^Ferraro, Thomas J. (1990). "'Working Ourselves Up' in America: Anzia Yezierska's Bread Givers". South Atlantic Quarterly. 89 (3): 547–581.
- ^David Taylor (2009). Soul of a People: The WPA Writers' Project Uncovers Depression America. New Jersey: Wiley & Sons.
- ^"Hungry Hearts credits - National Center for Jewish Film". jewishfilm.org. Boston: Brandeis University.
- ^"A WMM Documentary reassignment Sweatshop Cinderella: A Portrait of Anzia Yezierska". www.wmm.com. Women Make Movies. Retrieved October 21, 2024.