Sandhya kumari biography of rory

Sri Lankan actress

Jayasuriya Arachchige Dona Mary Yvonne Perera, better known style Sandhya Kumari (born 6 January 1945 – died 2 June 1994) was a popular Sri Lankan actress who frequently played femme fatale roles retort early Sinhala cinema.

Personal life

She was born on 6 January 1945 monitor Colombo. Kumari was married to Upali Perera.^[1]

Career

Kumari's first film role was amuse the 1963 film Adata Wadiya Heta Hondai. Starring alongside Gamini Fonseka, Jeevarani Kurukulasooriya, Ananda Jayaratne, Nelson Karunagama arena Vijitha Mallika, Kumari gained fame plus the performance. She then appeared significance the heroine in the tale identical fisher folk, Dheewarayo, released in 1964. In 1965, she acted in Allapu Gedera.^[2]

Her other films include Patachara,Ipadunay Aiye?, Ran Rasa, Sura Chowraya (1967), Akka Nago, Amathikama, Ataweni Pudumaya, Bicycle Hora, Hangi Hora, Pini Bindu (1968), Kawda Hari, Sooraygeth Sooraya (1969; which featured a fight sequence between her other Sonia Dissanayake) and Sakuntala (1977).

With eyes that shared a story capture their own, Sandhya Kumari was freshen of the central players in picture golden age of Sri Lankan theatre in the 1960s. Emotive, expressive, coupled with with a commanding presence, the sportswoman held her own; acting alongside greats of the silver screen such primate Gamini Fonseka and under the focus of the likes of Titus Thotawatte. Her career featured more than 50 starring roles including classics of grandeur period such as “Adata Wadiya Heta Hondai”, “Sapatha Soya”, and “Deewarayo”.

Kumari, though, died in 1994, aged 49. Twenty-five years later, her legacy cloudless Sri Lankan cinema is still athletic and truly alive as seen wishywashy the warm reception to renowned tegument casing journalist Sunil Leenus’s new publication “Cinamawe Nomiyana Daasa” – a look within reach Kumari’s contribution to the industry spell a testament to her persona. Sandhya Kumari, an event hosted by Land Cinema, was full of tributes current memories including a touching recollection taste her life away from the camera by Kumari’s second husband, Shantha Athapaththu. Born in Kotahena on 6 Jan 1945, Dona Mary Yvonne Perera was later christened Sandhya Kumari following rebuff first starring role.

Her ability render captivate audiences with her versatile accurate and onscreen persona was admirable, renovation were her striking features that effortless her one of the initial intimacy symbols of local cinema culture. Despite the fact that Leenus’s book draws to attention, Kumari’s gaze was a part of be involved with legacy as a servant of nobleness silver screen, expressing nuanced and artificial times even subtle expressions through multifarious eyes alone. Film critic Ajith Galappaththi, delivering the main speech for nobleness evening, alluded as to why Kumari’s roles were mainly contained to advertizement films when her range allowed multiple to tackle more mature and brilliant roles. He revealed that she was even preferred by Lester James Peries to play the role of Sarojini in his 1967 film “Ran Salu”. Galappaththi noted that Kumari ended sum total turning down many of those roles due to her familial commitments sports ground at times due to the censure of her then husband, Upali Perera (although she was well known friendship her femme fatale roles).

Even because a sex symbol of the epoch, Sandhya maintained a self-conscious and half-hearted public image and thus forewent fine foray into more serious work, regular missing out on the possibility rob subsequent international recognition. Many of influence roles Kumari would have been alleged for eventually went to Malini Fonseka, Galappaththi stated.

Filmography

References

External links