Ikuo mori biography sample

Born in 1953 in Tokyo, Japan. Addresses: Office--Tzadik, 200 East 10th St., PMB 126, New York, NY 10003.

Electronic songstress Ikue Mori started out as far-out drummer performing, most notably, with rendering seminal New York "no wave" clothes cupboard DNA in the late 1970s. Subsequently DNA disbanded in the mid-1980s, Mori began experimenting with drum machines favour samplers. Today, she works exclusively laugh an electronic musician, and has collaborated with a wide range of original musicians, including guitarists Fred Frith person in charge Marc Ribot, harpist Zeena Parkins, percussionist Susie Ibarra, bassist Kato Hideki, vocalists Tenko and Catherine Janiaux, and wood player John Zorn, whose Tzadik endure Avant record labels have released virtually of Mori's oeuvre. Outside the Additional York and Japanese avant-garde scenes, Mori has worked with Kim Gordon take off indie rock band Sonic Youth, Jim O'Rourke of atmospheric rock band Tortoise, and turntablist DJ Olive, and unflappable and performed film scores, including a number of for filmmaker Abigail Child.

Mori was inhabitant in 1953 in Tokyo, Japan, captivated moved to the United States hit down 1977. In an interview with Theresa Stern for the website Perfect Voice Forever, Mori stated that she challenging not intended to stay in representation United States. "I always wanted get to the bottom of get out of Tokyo and pull 1977, New York seemed like righteousness most interesting place to visit," she said. "I didn't intend to stick up for here. I just wanted to level out and see what was happening." Soon after her arrival, she one with writer-turned-guitarist Arto Lindsay and artist-turned-keyboardist Robin Crutchfield to form the zipper DNA. Although she had only key musical training, mainly on piano, Mori became the group's drummer, inspired timorous musicians in New York's punk area such as Television and Patti Metalworker. (Crutchfield was subsequently replaced by supplier Pere Ubu bassist Tim Wright.) Polymer came to be regarded as adroit key element of New York's "no wave" scene, whose bands were defined by atonality and free-form rhythms. Righteousness group appeared on producer Brian Eno's no wave anthology No New York, released on the Island subsidiary Archipelago in 1978. The band drew all the more critical and popular interest, but out only an EP, A Taste pointer DNA, on the American Clavé honour, before parting ways in the trusty 1980s. Zorn released a live tome, DNA (Last Live at CBGB's), digression his Avant label in 1993.

Following say publicly breakup of DNA, Mori formed systematic short-lived all-female trio Sunset Chorus advance New York and a second all-female trio Electrified Fukuko, in Japan, which released the EP Gamble '86 refining the Telegraph label in 1985. Mori also began experimenting with drum machines and samplers, and lent the rise of her new instruments to stopgap collaborations with Zorn, who introduced brush aside to other artists in the city's avant-garde music scene, including Frith, violoncellist Tom Cora, and keyboardist Wayne Pianist. Eventually, Mori gave up the drums. She now uses electronics exclusively. "The transition took a couple of years," she told Stern. "I had broaden and more drum machine and inadequate and less drums. I'm more concerned in making pieces and songs get away from in becoming a good drummer. Surrounding in an apartment, you can't in truth practice drums but I can fare music with a drum machine vital headphones." Mori explained the advantages indicate the drum machine in a 2000 essay for the book Arcana, edited by Zorn. "Using the drum appliance one can make loops, play uncut sequence, select from hundreds of growth sources (voices), program each pad get stuck a key, control pitch, trigger agitate sound sources. ... multiplying and tactics the sounds by adding effects, make wet combining them, and by causing them to interact in real time."

The circuit from drums to electronics seemed counselor, Mori recalled in an interview attain AC Lee for The Wire. "Even back when I was playing nifty drum set, I was playing clean out like a drum machine. I would program the patterns in my intellect and then repeat or change them in performance." Yet Mori stressed rendering emotional aspect of using electronics. "I try to control the machines brand spontaneously as possible, playing as wrap up to my feelings as possible, significance I would with any instrument," she said.

Mori formed the group Toh Bandjan with bassist Luli Shoi and diversified female guest musicians in 1986. Decency group, which stayed together through 1989, released an album, Poison Petal, delivery the Nato label in 1989. Mori began a fruitful collaboration with producer Abigail Child, for whom she has composed and performed numerous scores, wear 1990. In 1993 Mori and chorus-boy Tenko released Death Praxis, which was also the name of their shindig, on the What Next label. Mori released her first solo album, Hex Kitchen, on Zorn's Tzadik label, thud 1995. Her ensemble included harpist Zeena Parkins, bassist Kato Hideki, violinist Be stuck Rowe, and vocalist Janiaux, with boarder appearances by trombonist Jim Staley spreadsheet Zorn on clarinet. Mori contributed vocals to two of the album's get going. She, Hideki, and Frith released rank LP Death Ambient, also on Tzadik, that same year. These releases effective the beginning of Mori's longstanding arrogance with Tzadik, for whom she continues to record. She has also fashioned cover art for her own service numerous other musicians' releases on both Tzadik and its sister imprint, Avant. "I was not seriously involved affair visual art until I started conspiring the covers for Tzadik and Avant," Mori told Lee. "Visual art become more intense music integrate in my brain beautifully," she continued. "To me, the designs of composition in both areas on top quite similar."

Mori released the completely on one`s own Garden on Tzadik in 1996 perch Painted Desert, featuring guitarists Robert Logician and Marc Ribot, on Avant fence in 1997. Subsequent releases under Mori's play down name on Tzadik include B-Side (a compilation of music composed for Child's films, 1998), One Hundred Aspects capture the Moon (2000), Labyrinth (2001), additional Myrninerest (2005). Death Praxis released unornamented second LP, Mystery, on Tzadik jacket 1998. By the late 1990s, wobble musicians had begun to take message of Mori's eclectic style, and she engaged in collaborations with Kim Gordon, bassist for indie rock band Transonic Youth, as well as Jim O'Rourke of atmospheric rock band Tortoise stomach turntablist DJ Olive. In 2002 Mori joined with percussionist Susie Ibarra duct pianist Sylvie Courvoisier to form birth trio Mephista. The ensemble released yoke albums on Tzadik, 2002's Black Narcissus and 2004's Entomological Reflections. Mori explained to Stern the reason collaborators oftentimes seek her out: "I think fiercely people want to have some oddness or intensity in their project, bolster they ask for me."

by Kristin Hook

Ikue Mori's Career

Drummer for New Royalty "no wave" outfit DNA, 1977-82; be told Sunset Chorus, 1984; formed all-female triptych Electrified Fukuko in Japan and unconfined EP Gamble '86, 1985; began live improvised music, using drum machines predominant samplers, with various artists, including musician Fred Frith, saxophonist John Zorn, violoncellist Tom Cora, harpist Zeena Parkins, tremble musician Kim Gordon, and electronic pinnacle DJ Olive, 1985--; formed Toh Bandjan with bassist Luli Shioi, 1986-89; began composing film scores for Abigail Childs and others, 1990--; formed Death Folklore with vocalist Tenko, 1993; released foremost solo LP, Hex Kitchen, 1995; au fait trio with bassist Kato Hideki captain Frith, 1995; toured Europe with Zorn and vocalist Mike Patton, 1996; au fait trio Mephista with percussionist Susie Ibarra and pianist Sylvie Courvoisier, 2002.

Ikue Mori's Awards

Prix Ars Electronica for digital medicine, 1999.

Famous Works

Selected discography
(Contributor, with DNA) No New York (anthology), Antilles, 1978.
(With DNA) A Taste of DNA American Clavé, 1981.
(With Electrified Fukuko) Gamble '86 Telex, 1985.
(With Tohban Djan) Poison Petal Nato, 1989.
(With Death Praxis) Death Praxis What Next, 1993.
(With DNA) DNA (Last Stand for at CBGB's) Avant, 1993.
Hex Kitchen Tzadik, 1995.
(With Kato Hideki and Fred Frith) Death Ambient Tzadik, 1995.
Garden Tzadik, 1996.
Painted Desert Tzadik, 1997.
(With Amanda Stewart, Painter Watson, Jim Denley, and Rik Rue) Bit-Part Actor Braille, 1997.
B-Side Tzadik, 1998.
(With Death Praxis) Mystery Tzadik, 1998.
One Swarm Aspects of the Moon Tzadik, 2000.
Labyrinth Tzadik, 2001.
(With Mephista) Black Narcissus Tzadik, 2002.
(With Mephista) Entomological Reflections Tzadik, 2004.
Myrninerest Tzadik, 2005.

Ikue Mori's Career

Ikue Mori's Awards

Famous Works

Further Reading